Greater Shiloh Baptist Church Local Historic District

by Jeff Bondono, copyright (c) 2026 by Jeff Bondono, last updated June 17 2026

The Greater Shiloh Baptist Church Local Historic District consists of the church building located at 557 Benton. You can read details about the church in the Greater Shiloh Baptist Church Local Historic District Final Report (local copy), which I recommend highly to anyone interested in Detroit's history.

HISTORY: [+ expand]

ARCHITECTURAL DESCRIPTION:

Originally built as a basement church, the needs of the expanding Shiloh Baptist congregation resulted in the 1920's designs for a new building over it. The new structure is particularly significant in that it was intended to be designed and built by blacks.

Shiloh Baptist Church was designed by Carlos N. Stokes, a draftsman (Job #120, 4/21/20, Permit #12163). Mr. Stokes, a black man who lived in Detroit, also worked as a mason, bricklayer, contractor, carpenter, and, when things got tough during the Depression, a laborer. Stokes' plans for the new building were approved by the Detroit Building Department in 1920, but they were redrawn and simplified by the firm of w.W. Ahlschlager, Inc., Architects, of Detroit and Chicago, as indicated on plans dated 12/21/22. Still, the basic structure, composition and form of the building as completed in 1923 were according to the Stokes designs.

A 1920 issue of The Contender, a black Detroit newspaper, identified other blacks invoIved in the construction of the church. They are H.H. Madison, general contractor from Norfolk, Virginia, and W.C. Johnson and Brothers, masons, who did the brickwork. Johnson was to use as many as 10 men on the building, all "colored." William C. Johnson had been in business for nine years; he also built the Evangelical Association Church on the corner of Harper and Fisher Avenue. Weideman Iron Works of Detroit, presumably non-blacks (job #1629), did the steel work. When completed, the job was to have cost $75-$80,000.

Walter W. Ahlschlager, a white man who revised Stokes' plans, was a Chicago architect who joined his father's firm in 1914. The firm of John Ahlschlager and Son became Walter W. Ahlschlager, Inc. following his father's death in 1915. Ahlschlager was widely known for designing "Motion Picture Palaces," amongst them the largest in the Roxy chain (1927, demolished 1961) in New York City. In the late 1920's, Ahlschlager built many skyscrapers, including many in Chicago, and the Carew Tower and Netherlands Plaza Hotel complex in Cincinnati (1929-31). Unfortunately, the Great Depression virtually ended Mr. Ahlschlager's career; after the nation's recovery the new age of modernism arrived, thus limiting the taste for his exuberant designs. He did manage to secure a few commissions in Dallas, Texas after 1940; he relocated there in the early 40's and died in 1965.

It appears that Ahlschlager set up a Detroit office to expand his business into the Detroit market in the early 1920's. He was listed in the 1922-23 Detroit City Directory as having an office in the Federal Bond and Mortgage Building here. Other buildings in Detroit known to be designed by his firm were a three story apartment building at 8620 Epworth near Linsdale called the Bonair Court Apartments (1922) and the Detroit Towers (1925) on the Detroit riverfront.

The composition of the front facade of Shiloh Baptist Church remained the same in both the Stokes and Ahlschlager plans, with a tower on the eastern corner, a shallow gable in the center of the parapet wall, and a tripartite portal arrangement. The major difference was that Stokes' designs for the front facade of the church were more ornately classical than Ahlschlager's designs and, thusly, that which was built.

Stokes' plans showed blind arcading at the parapet wall, an ocular window below the central gable, herringbone patterned brickwork at the entablature level and in panels above the doorways, and a different arrangement of windows in the tower. The top of the tower was arcaded and a loggia rested beneath the windows.

On both sets of plans, the high basement of the church was rusticated; this can still be seen today at the base of the tower on the east elevation. Ahlschlager's simplified brick patterning -- the groupings of three horizontally laid bricks abutting three vertically laid bricks repeated -- can still be seen above the front addition.

The church was originally approached by steep steps which led to a tripartite portal with arched openings. Patterned brickwork ornamented the areas above the fanlight transoms above the wooden double doors. Above, at balcony level, was a grouping of three round arched windows with brick voussoirs and stone keystones.

The church today has a 1978 one story addition covering up most of the original facade. It was designed by Aubrey Agee of Architects International. The portico was enclosed and a set of glass doors were set at ground level on the east side of the addition to provide access. The cornerstone is immediately inside these doors.

                   

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copyright (c) 2012-2026 by Jeff Bondono (Jeff.Bondono@gmail.com)