Prince Hall Grand Lodge Local Historic District

by Jeff Bondono, copyright (c) 2026 by Jeff Bondono, last updated June 21 2026

The Prince Hall Grand Lodge Local Historic District consists of the single building and its addition situated on the southeast corner of the intersection of Gratiot and McDougall avenues, addressed as both 3500 McDougall and 3100 Gratiot. The building is presently owned and occupied by the Most Worshipful Prince Hall Grand Lodge of Michigan, Free and Accepted Masons. You can read details about the district in the Prince Hall Grand Lodge Local Historic District Final Report (local copy), which I recommend highly to anyone interested in Detroit's history.

HISTORY: [+ expand]

ARCHITECTURE

The Prince Hall Grand Lodge is located on the southeast corner of Gratiot and McDougall avenues. It is a nearly rectangular three-story Neoclassical brick building with an acutely angled plane on its northwest corner where the facade abuts against a three-story store and office building addition that follows the diagonal of Gratiot Avenue. The structures are separated by a narrow fire escape alley and courtyard that leads to the adjoining surface parking lot to the east.

The temple building rests on a smooth coursed ashlar raised basement and water table, capped with a low-pitched flat deck hip roof comprised of tin metal shingles. The facade (west elevation) and secondary facade (south elevation) are clad in buff-colored running-bond brick. The rest of the building is clad in common brick.

Both the facade and secondary facade are symmetrical and divided into seven bays, defined by the pattern of fenestration. A projecting stone cornice and plain frieze caps the first-story. At the roofline is a stone cornice with narrowly spaced classical modillions and denticulated frieze. The end bays of the second and third stories are framed by raised buff-colored brick quoins.

The facade’s first-story features a central recessed entrance that is approached by a broad set of five steps and includes three sets of double doors of the modern metal and glass variety with transom windows above. Flanking the central entrance are two bays on each side that are fenestrated with one-over-one double-hung windows framed by a raised stone entablature surround with an oval cartouche in the frieze. The bay south of the entrance features a single door of the modern metal and glass variety with a transom window. The doorway features a raised stone entablature surround similar to the window openings. The cornerstone is located in the southern building corner above the water table with engraved letters that read:

AMARANTH TEMPLE 1924

The fenestration of the second-story center bays are set into five round arched openings with brick voussoirs, stone springers, and an elongated stone keystone. The one-over-one double-hung windows with lunette have been covered with storm windows and clapboard siding resulting in a two-over-two look. The second-story end bays each feature a one-over-one double-hung window framed by a stone entablature surround.

The third-story pattern of fenestration features seven one-over-one double-hung windows with raised stone sills that are evenly spaced and centrally aligned with the second-story window bays. A simple rectangular stone frieze is located on both end bays between the second and third stories. Six electrical boxes and cable wiring are positioned in the center bays between the second and third stories, vestiges from a previous illuminated sign that read "Metropolitan Detroit Prince Hall Masonic Temple" with two masonic emblems on either side.

The secondary facade’s pattern of fenestration is spaced evenly across seven bays. The first-story includes a one-over-one double-hung window framed by a raised stone entablature surround with an oval cartouche in the frieze, five one-over-one double-hung windows framed with decorative brickwork and evenly spaced, a side entrance consisting of a wooden door with transom window, and two smaller one-over-one double-hung windows with raised stone sill. The center bays of the second- and third-story include five evenly spaced one-over-one double-hung windows with decorative brickwork forming vertical panels between the window bays. The western end bay features a one-over-one double-hung window with a stone entablature surround on the second-floor, a one-over-one double-hung window with raised stone sill on the third-story, and a simple rectangular stone frieze located between the window bays. The eastern end bay has no openings.

         

The rear (east elevation) of the building faces a parking lot enclosed with a chain link fence. There are four six-over-three steel casement windows with stone sill, two wooden service doors painted blue, and two window openings with stone sill that have been bricked in. All openings are irregularly spaced throughout three bays, historically used as access for the backstage theatre.

The office building addition facade rests on a stone water table and is capped with a flat deck roof with an applied pitch in red clay tile. The symmetrical facade includes four bays, defined by the pattern of fenestration. A projecting stone cornice and plain frieze caps the first-story and at the roofline is a stone boxed cornice.

The first-story features three storefronts each containing a center doorway flanked by a pair of display windows on each side with transom window above, all of modern metal and glass variety. The middle and western bay storefronts have since been filled with glass block. The storefronts are each separated by a rectangular buff-colored brick pilaster with stone capital.

The western end bay features an elaborate entryway with the modern metal and glass door and fanlight framed by a stone entablature surround that includes rope molding, round Corinthian pilaster columns, and a broken pediment. Above the pediment is a simple rectangular frieze panel and projecting cornice with egg-and-dart and Greek key molding.

The second-story features seven one-over-one double-hung windows with brick jack arch and stone keystone, spaced regularly with a set of three windows in three bays and one window in the western end bay. The third-story features seven one-over-one double-hung windows with raised stone still and brick jack arch, each centrally aligned with the second-story window bays.

The interior of Prince Hall Grand Lodge features an entrance lobby that is one-story in height and rectangular in plan. Its floor has painted wood trim surrounding beige linoleum tiles. The plaster walls feature an elaborate dentil crown molding. To the north and south of the lobby are doorways that lead to the staircases to the basement and second- and third-stories. There is a small door behind the projecting wooden box office for the ticket seller located between the sets of wooden entrance doors that lead to the auditorium.

The auditorium is two-stories in height with a flat ceiling that features ornate plaster ornaments, large round ventilator grilles with curvilinear detailing, original light fixtures, and plasterwork cornice with classical modillions, rosettes, and other decorative moldings. Its floor has red and beige linoleum tiles arranged in an alternating checkerboard pattern. The raised wooden stage is flanked by rectangular Corinthian pilaster columns. To its north and south are exit doors capped with a broken pediment and urn finial, surrounded by arch-capped pediments in plaster relief. An enclosed kitchen runs along the southern wall underneath the U-shaped second-story balcony. A small L-shaped Moderne-style bar stands beneath the balcony in the room’s northwest corner.

The basement historically housed a bowling alley, vestiges that still remain, and a smoking room but has been substantially renovated into a large meeting room that retains its original hardwood floors. The second-story contains restrooms and offices. The third-story contains two lodge rooms and a club room with ante rooms, lounging rooms, and general kitchen. It connects to the office addition on its north through an interior hallway.

Architect: Bernard C. Wetzel

Bernard C. Wetzel (1876-1952), architect of the Prince Hall Grand Lodge, was a well-known Detroit architect. Born in Zilwaukee, Michigan and educated in Saginaw, Wetzel began his career in carpentry before studying architecture in 1895 and working for several leading architects in Detroit. He established his own practice in 1907, operating as B.C. Wetzel & Company, and had offices in the Hammond Building and Dime Building.

In 1909, Wetzel was commissioned by the Amity lodge of the International Order of Odd Fellows fraternal organization to design a temple building at the northeast corner of St. Paul and Van Dyke avenues, although the plan was never realized. Wetzel found early success in his 1910 design of the Ralph Phelps Building located on the corner of Michigan Avenue and First Street, first occupied by Brushaber’s furniture dealers and referred to as a "climax in business architecture." Wetzel was then selected by the Detroit Public Library to design a new library on the corner of Warren Avenue and Grand Boulevard to serve the west side of the city, following a gift from businessman and philanthropist Andrew Carnegie. One of eight Carnegie libraries constructed in Detroit, this George V.N. Lothrop Branch opened in 1912.

A prolific architect, Wetzel’s designed other prominent civic and cultural buildings such as Samaritan Hospital (1912), Theatre De Luxe (1916), Gesu Catholic High School (1924), Andrew Jackson Intermediate School (1928), and Trinity Evangelical Lutheran Church parish house (1931). As his residential business grew, Wetzel notably designed the house of Jacob Danziger, treasurer and general manager of Detroit Motors Casting Company, in Detroit’s prestigious Indian Village neighborhood as well as the house of Joseph Crowley, co-founder of Crowley’s department store, in the exclusive suburban community of Grosse Pointe Park.

In the words of historian Clarence Burton, Wetzel’s "architectural creations are of most artistic character. He has the ability to combine utility, convenience and beauty." Respected by his peers, Wetzel was a member of the Ashlar Masonic Lodge, Board of Commerce of Detroit, Detroit Architectural Club, and the Michigan Society of Architects.


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